I love Death Note, but this movie is not Death Note. It may bear the title of “Death Note”, but it’s really not. It doesn’t surprise me that this movie is bad. I fully expected the American version of Death Note to be bad, but I didn’t expect it to be quite as terrible as this.
What is Death Note?
In case you’re not aware, Death Note is an anime about a Japanese high school honour student named Light Yagami who finds a shinigami’s notebook, which allows him to kill anyone whose name he writes in it—usually by heart attack. Light decides to use the notebook to become, as he puts it, “the god of the new world” by killing all the world’s criminals, followed by anyone else he sees as unworthy to live. A brilliant detective named L realizes early on how dangerous “Kira the Saviour” is and makes it his goal to catch the serial killer.
Continue reading “Death Note” (2017) Review
This cartoon… This is the one that broke me… I feel drained after watching this. Before there was Peter Jackson, there were three cartoons almost unrelated to one another, and I made the mistake of deciding to review all of them. The first was a children’s animated TV special by Rankin/Bass that removed almost every element that made The Hobbit great. The second, based on the first half of The Lord of the Rings, was at least for adults, even if it was a poorly-rotoscoped cartoon that payed little attention to the subtleties of the book. The third, which I’ll be reviewing today, is called Frodo: The Hobbit II, but it’s more commonly known as The Return of the King: A Story of the Hobbits.
Continue reading Review of Rankin/Bass “The Return of the King” (1980)
Last year I reviewed the 1977 Rankin/Bass cartoon adaptation of The Hobbit. Today I’ll be taking a look at another such cartoon: Ralph Bakshi’s 1978 attempt to bring The Lord of the Rings to the screen. As I did with the Hobbit cartoon—and as I’m planning to do with the final instalment in the cartoon trilogy—I began by live-tweeting as I watched Bakshi’s film, the highlights of which can be found here. As I had feared going into this, Bakshi largely failed to capture quite what he needed to capture with this one.
Continue reading Review of Ralph Bakshi’s “The Lord of the Rings” (1978)
If you ask me what I think of J. K. Rowling’s Harry Potter series, my answer will likely depend on what day you ask me. Some days I’ll say I liked it; some days I’ll hate it. In all honesty, however, my feelings towards Harry Potter are best described as “confused,” because there are a lot of things I really like about the series and a lot of things I really hate. All things considered, I usually wind up mostly ambivalent towards Rowling’s best-known work.
Continue reading “Harry Potter” Book Series Review
With my review of Ralph Bakshi’s The Lord of the Rings cartoon still a while off, I’ve decided to review something else in the meantime. For the past little while, I’ve been working on a review of J. K. Rowling’s wildly successful Harry Potter series. Let’s get this out of the way for those who might be worried—I don’t dislike the Harry Potter series, so you can expect a more positive review than most of the stuff I’ve been posting recently. Hooray!
I’ll be reviewing all seven books in a single article, which should explain why it’s taken me so long (despite only beginning to write the review over the weekend, I had been planning it for a long time before that). So now you know what my next few big projects are! I hope you’re as excited as I am about this, and if so, then you can expect to see a new review up within the next few weeks.
Thus far, I’ve written a number of articles on George R. R. Martin’s horrendously boring A Song of Ice and Fire series. Among these were two in which I analyzed some of the many poorly-written shells that pass for characters in Martin’s world. In this article, however, I will discuss the villain of the first few volumes, King Joffrey. Joffrey is the only well-written character in A Song of Ice and Fire, mostly because he’s the only character who’s internally consistent.
Continue reading King Joffrey: The Only Well-Written Character in Game of Thrones
Game of Thrones, the show that captivates fourteen-year-olds everywhere, is bad. It’s not well-written; it’s not well-shot; it’s not well-lit; half the time it’s not even well-acted; and even the music to the opening credits is little more than a rip-off of better music. When I first heard that opening theme, I liked it, and indeed it was what made me watch the show in the first place. I’d watch the opening credits then suffer through the blandness that followed, but I was always struck by how similar it was to the theme from another show…
Continue reading The Music of Game of Thrones
You may remember my article on the greatest show of all time, Avatar: The Last Airbender. You may also remember my mentioning that M. Night Shyamalan decided to adapt the first season into a movie. I saw this… movie… when it first premiered. I entered the theatre expecting to love it; by the thirty-minute mark I loathed Shyamalan with every fibre of my being, and when at last I stumbled out of that accursed theatre I would gladly have throttled the bastard.
Continue reading “The Last Airbender” Movie Review
My Little Pony: Friendship is Magic is my favourite show of the decade. I don’t think anyone expected when the first generation of My Little Pony aired in the ‘80s that it would eventually become a great show, but miraculously it managed it, proving that good writing can accomplish anything. In this article, I intend to examine briefly the three generations that preceded Friendship is Magic, and then I’ll move on to why Friendship is Magic is the amazing show that it is.
Continue reading How My Little Pony Became Great
In my last article concerning A Song of Ice and Fire, I discussed a character called Jon Snow. He was, as are all George R. R. Martin’s characters, incredibly bland and unpleasant. Although they’re all basically the same character, there are more of the same character to tear apart in these articles, so let’s get started with Stannis Baratheon.
Continue reading Stannis Baratheon: Another One-Note Asshole