The first thing I ever reviewed on this site was an adaptation of The Hobbit that Gene Deitch made in 1966. Later I reviewed a Harry Potter fan-fiction called My Immortal by Tara “XXXbloodyrists666XXX” Gilesbie. What connects these is that they are both so-bad-they’re-good. Ben & Arthur, on the other hand, is almost so-bad-it’s-homophobic, and it’s the worst movie I’ve ever seen.
It’s not that Ben & Arthur can’t be entertaining in its failings, but Ben & Arthur’s outlook on the world is veiled more thinly than The Room’s misogyny. And what is this outlook? Why, it’s that “straight people are all evil, bigoted psychopaths,” of course! Why then did I say that the film is borderline homophobic? Well, because it’s both heterophobic and homophobic.
Continue reading “Ben & Arthur” Movie Review
Last year I reviewed the 1977 Rankin/Bass cartoon adaptation of The Hobbit. Today I’ll be taking a look at another such cartoon: Ralph Bakshi’s 1978 attempt to bring The Lord of the Rings to the screen. As I did with the Hobbit cartoon—and as I’m planning to do with the final instalment in the cartoon trilogy—I began by live-tweeting as I watched Bakshi’s film, the highlights of which can be found here. As I had feared going into this, Bakshi largely failed to capture quite what he needed to capture with this one.
Continue reading Review of Ralph Bakshi’s “The Lord of the Rings” (1978)
I’ve been on Facebook and Twitter for a while, and it’s been really helpful in growing my audience. Well, now you can follow me on Pinterest as well! Whether you’re more interested in my articles or my paintings, you can look through a gallery of them and find the right one more quickly than ever. So, if you’re interested, following me at www.pinterest.com/HM_Turnbull would be much appreciated.
I’ve heard some people say that Tolkien’s work is “light-hearted and child-friendly.” If you ever hear someone say this, you can show them this meme.
If you ask me what I think of J. K. Rowling’s Harry Potter series, my answer will likely depend on what day you ask me. Some days I’ll say I liked it; some days I’ll hate it. In all honesty, however, my feelings towards Harry Potter are best described as “confused,” because there are a lot of things I really like about the series and a lot of things I really hate. All things considered, I usually wind up mostly ambivalent towards Rowling’s best-known work.
Continue reading “Harry Potter” Book Series Review
While you wait for my Harry Potter review, I thought I’d show you another of my oil paintings. This one, as its name suggests, is of a beach at Clover Point.
With my review of Ralph Bakshi’s The Lord of the Rings cartoon still a while off, I’ve decided to review something else in the meantime. For the past little while, I’ve been working on a review of J. K. Rowling’s wildly successful Harry Potter series. Let’s get this out of the way for those who might be worried—I don’t dislike the Harry Potter series, so you can expect a more positive review than most of the stuff I’ve been posting recently. Hooray!
I’ll be reviewing all seven books in a single article, which should explain why it’s taken me so long (despite only beginning to write the review over the weekend, I had been planning it for a long time before that). So now you know what my next few big projects are! I hope you’re as excited as I am about this, and if so, then you can expect to see a new review up within the next few weeks.
Thus far, I’ve written a number of articles on George R. R. Martin’s horrendously boring A Song of Ice and Fire series. Among these were two in which I analyzed some of the many poorly-written shells that pass for characters in Martin’s world. In this article, however, I will discuss the villain of the first few volumes, King Joffrey. Joffrey is the only well-written character in A Song of Ice and Fire, mostly because he’s the only character who’s internally consistent.
Continue reading King Joffrey: The Only Well-Written Character in Game of Thrones
Here’s another painting in my Galloping Goose series; this time it’s in the rain.
Game of Thrones, the show that captivates fourteen-year-olds everywhere, is bad. It’s not well-written; it’s not well-shot; it’s not well-lit; half the time it’s not even well-acted; and even the music to the opening credits is little more than a rip-off of better music. When I first heard that opening theme, I liked it, and indeed it was what made me watch the show in the first place. I’d watch the opening credits then suffer through the blandness that followed, but I was always struck by how similar it was to the theme from another show…
Continue reading The Music of Game of Thrones