I promised at the end of my previous article that I’d review something worse than Violence Jack next, and today I will keep that promise. But what could be worse than Violence Jack? I present to you… Midori: Shōjo Tsubaki! Midori was adapted from a manga by Maruo Suehiro titled “Shōjo Tsubaki” or “Mr. Arashi’s Amazing Freak Show.” The man behind this adaptation is Harada Hiroshi, on whom I was able to find surprisingly little information. From what I can gather, Hiroshi is a recluse who animated this whole thing himself because no one else would agree to finance it. Their reluctance is unsurprising given the nature of the story being adapted. Hiroshi has referred several times to Shōjo Tsubaki as an unconventional romance; it’s not. Even after watching this thing I’m not sure I can discern any plot. Rather, things just happen because they disgust, and for no other reason.
Continue reading “Midori: Shōjo Tsubaki” Review
When I heard about Violence Jack from another reviewer, I thought, “That sounds almost as bad as Game of Thrones.” I’d heard this was one of the worst anime ever, that morality wasn’t a concept that existed in Violence Jack’s world, and that the male characters were all rapists, child-murderers, and worse. Now I’ve seen this piece of crap, I can say that’s all true. Now it comes time to review this thing.
Continue reading “Violence Jack” Review
I love Death Note, but this movie is not Death Note. It may bear the title of “Death Note”, but it’s really not. It doesn’t surprise me that this movie is bad. I fully expected the American version of Death Note to be bad, but I didn’t expect it to be quite as terrible as this.
What is Death Note?
In case you’re not aware, Death Note is an anime about a Japanese high school honour student named Light Yagami who finds a shinigami’s notebook, which allows him to kill anyone whose name he writes in it—usually by heart attack. Light decides to use the notebook to become, as he puts it, “the god of the new world” by killing all the world’s criminals, followed by anyone else he sees as unworthy to live. A brilliant detective named L realizes early on how dangerous “Kira the Saviour” is and makes it his goal to catch the serial killer.
Continue reading “Death Note” (2017) Review
There’s nothing more certain to draw masses of ire than the criticism of a well-liked show. That said, I don’t really have much choice in the matter, as I could not ignore such blatant sexism as one finds in the nineteenth episode of the show One Piece. First of all, I have heard that the show gets better after this, so if this is the case, please consider this to be a criticism of Episode Nineteen only. I don’t think that’s entirely unreasonable, as this episode functions more-or-less as a standalone story; for the purposes of this review I will regard it as such.
Continue reading Sexism in One Piece
I recently decided that, just for the fun of seeing what would happen, I’d randomly decide on an anime I’d never heard of and watch it from start to finish. Unfortunately, it didn’t turn out as well as I had hoped. I mean, I do have quite a lot to say about it, but the show itself wasn’t especially good.
Continue reading “The Twelve Kingdoms” Anime Review
After I reviewed The Nutshack, one of the worst cartoons of all time, I said I’d talk about a good cartoon in my next review. There are so many great cartoons that it’s taken me quite a long time to decide which of them I should discuss first. My first thought was to talk about my favourite cartoon airing today, but reviewing that would require more context than I wanted to give in this article. Therefore I decided to start by reviewing my favourite cartoon—my favourite show, in fact—of all time!
Continue reading Avatar: The Last Airbender, The Greatest Show of All Time