I highly recommend you read this article by Robert Tracinski about Game of Thrones. I personally feel that Game of Thrones is a symptom of a problem. I frequently see sycophants droning on about how “great” the show is and how “realistic” the characters are, so it’s good to hear that I’m not alone in my concern about the nihilism that Game of Thrones promotes.
Here’s another painting in my Galloping Goose series, this time in the middle of winter.
You may remember my article on the greatest show of all time, Avatar: The Last Airbender. You may also remember my mentioning that M. Night Shyamalan decided to adapt the first season into a movie. I saw this… movie… when it first premiered. I entered the theatre expecting to love it; by the thirty-minute mark I loathed Shyamalan with every fibre of my being, and when at last I stumbled out of that accursed theatre I would gladly have throttled the bastard.
Continue reading “The Last Airbender” Movie Review
Here’s another oil painting!
Today I will divert from the usual subject of my articles and talk about linguistics—phonetic transcription in particular. One of the most important tips I have for fantasy writers is this: the International Phonetic Alphabet is your friend. If you intend to merely invent names for characters or even create an entire language for your world, knowing at least a smattering of the International Phonetic Alphabet (IPA) will prove indispensable. I’m going to write an article on why you should use the IPA when making up words for a fantasy world, but this is not that article.
The IPA is what dictionaries like the Oxford English Dictionary use to transcribe the pronunciation of words, and this makes it easy to understand the correct way to pronounce any word. In spite of the usefulness and elegance of the International Phonetic Alphabet, however, the Americans don’t use it, and I’m sorry to say that the American equivalent is just plain awful.
Continue reading Why American Phonetic Transcription Sucks
My Little Pony: Friendship is Magic is my favourite show of the decade. I don’t think anyone expected when the first generation of My Little Pony aired in the ‘80s that it would eventually become a great show, but miraculously it managed it, proving that good writing can accomplish anything. In this article, I intend to examine briefly the three generations that preceded Friendship is Magic, and then I’ll move on to why Friendship is Magic is the amazing show that it is.
Continue reading How My Little Pony Became Great
I did an oil painting yesterday of Glen Lake frozen over in the Victorian fog.
In my last article concerning A Song of Ice and Fire, I discussed a character called Jon Snow. He was, as are all George R. R. Martin’s characters, incredibly bland and unpleasant. Although they’re all basically the same character, there are more of the same character to tear apart in these articles, so let’s get started with Stannis Baratheon.
Continue reading Stannis Baratheon: Another One-Note Asshole
I wanted to briefly write down some thoughts on a book I just finished called “The Secret Diary of Adrian Mole Aged 13¾” by Sue Townsend. As the title suggests, the story is told through the journal of the gawkish Adrian Mole. I don’t want to go into too much detail, as you really should read it for yourself without spoilers. It’s a short read, in any case.
Continue reading “The Secret Diary of Adrian Mole Aged 13¾” Review
On Saturday I watched Ralph Bakshi’s adaptation of The Lord of the Rings, and it wasn’t exactly bad—although it wasn’t good either! Instead, I would define the Bakshi version as “precisely what you’d expect from a ’70s cartoon that tried to adapt a masterpiece.” In short, it was doomed to fail. That doesn’t mean, however, that it wasn’t fun to tear it to pieces, so here are some of the highlights from the live-tweeting session!
Continue reading Bakshi “The Lord of the Rings” Twitter Highlights